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Billy Joel never was a critic’s favorite, the pianist emerged as one of the most popular singer/songwriters of the latter half of the ’70s.

Billy Joel’s music consistently demonstrates an affection for Beatlesque hooks and a flair for Tin Pan Alley and Broadway melodies. His fusion of two distinct eras made him a superstar in the late ’70s and ’80s, as he racked an impressive string of multi-platinum albums and hit singles. Billy Joel was raised in the Long Island suburb of Hicksville, where he learned to play piano as a child. As he approached his adolescence, Joel started to rebel, joining teenage street gangs and boxing as welterweight. He fought a total of 22 fights as a teenager, and during one of the fights, he broke his nose. For the early years of his adolescence, he divided his time between studying piano and fighting. Upon seeing the Beatles on the Ed Sullivan Show in 1964, Joel decided to pursue a full-time musical career and set about finding a local Long Island band to join. Eventually, he found the Echoes, a group that specialized in British Invasion covers. The Echoes became a popular New York attraction, convincing him to quit high school to become a professional musician.

While still a member of the Echoes, Billy Joel began playing recording sessions in 1965, when he was just 16 years old. Joel played piano on several recordings George “Shadow” Morton produced — including the Shangri-Las’ “Leader of the Pack” — as well as several records released through Kama Sutra Productions. During this time, the Echoes started to play numerous late-night shows. Soon, his musical commitments occupied all of his time and Joel dropped out of high school, just a few months shy of his graduation.

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Later in 1965, the Echoes changed their name twice — once to the Emeralds and finally to the Lost Souls. For two years, he played sessions and performed with the Lost Souls. In 1967, he left the band to join the Hassles, a local Long Island rock & roll band that had signed a contract with United Artists Records. Over the next year and a half, the Hassles released two albums and four singles, all of which failed commercially. In 1969, the Hassles broke up. Joel and the band’s drummer, Jon Small, formed an organ and drums duo called Attila. In Attila, Billy Joel played his organ through a variety of effects pedals, creating a heavy psychedelic hard rock album completely without guitars. On the cover of the band’s eponymous album, both billy Joel and Small were dressed as barbarians; in an interview on the back of the album, Joel claimed to forget the name of his previous band and stated that he only sweated two things perfecting his sound and the war in Southeast Asia. Epic released Attila early in 1970 and it was an immediate bomb and the duo broke up. While the group was still together, Billy Joel began a romance with Small’s wife, Elizabeth; she would eventually leave the drummer to marry the pianist.

After Attila’s embarrassing failure, Billy Joel wrote rock criticism for a magazine called Changes and played on commercial jingles, including a Chubby Checker spot for Bachman Pretzels. However, Joel entered a severe bout of depression, culminating with him drinking a bottle of furniture polish in an attempt to end his life. Following his failed suicide attempt, Billy Joel checked himself into Meadowbrook Hospital, where he received psychiatric treatment for depression.

Billy Joel returned to playing music in 1971, signing a deal with Family Productions. Under the terms of the contract, Joel signed to the label’s parent company, Ripp, for life; the pianist was unaware of the clause at the time, but it would come back to haunt him — Ripp received royalties from every album Joel sold until the late ’80s. Joel refashioned himself as a sensitive singer/songwriter for his debut album, Cold Spring Harbor, which was released in November of 1971. Due to an error in the mastering of the album, Cold Spring Harbor was released a couple of tape speeds too fast; the album remained in that bastardized form until 1984. Following the release of the album, Billy Joel went on a small live tour, during which he would frequently delve into standup comedy. The tour received good reviews but Billy Joel remained unhappy with the quality of his performance and, especially, the quality of the album. Furthermore, he lost a manager during this time and Family Productions were experiencing legal and financial difficulties, which prevented him from recording an immediate follow-up.

Early in 1972, Billy Joel moved out to Los Angeles with his girlfriend Elizabeth. Billy Joel adopted the name Bill Martin and spent half a year playing lounge piano at the Executive Room. Toward the end of the year, he began touring, playing various nightclubs across the country. At the beginning of 1973, Joel married Elizabeth Weber and she enrolled at UCLA’s Graduate School of Management. Around the same time, a radio station began playing a live version of “Captain Jack” that was recorded at a Philadelphia radio broadcast. Soon, record companies were eagerly seeking to sign the pianist, and he eventually signed with Columbia Records. In order for Joel to sign with Columbia, the major label had to agree to pay Ripp Productions 25 cents for each album sold, plus display the Family and Remus logos on each record Billy Joel released.

By the end of 1973, Billy Joel’s first album for Columbia Records, Piano Man, had been released. The record slowly worked its way up the charts, peaking at number 27 in the spring of 1974. The title track — culled from experiences he had while singing at the Executive Room — became a Top 40 hit single. At the end of the summer, Joel assembled a touring band and undertook a national tour, opening for acts like the J. Geils Band and the Doobie Brothers. By the end of 1974, he had released his second album, Streetlife Serenade, which reached number 35 early in 1975. After its success, Joel signed a contract with James William Guercio and Larry Fitzgerald’s management company, Caribou, and moved from California to their hometown of New York. Through songs like “Say Goodbye to Hollywood” and “New York State of Mind,” Joel celebrated the move his 1976 album Turnstiles. The sessions for Turnstiles were long and filled with tension, culminating with Joel firing the album’s original producer, Guercio, and producing the album himself. Once he fired Guercio, Joel also left Caribou, and hired his wife as his new manager.

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Turnstiles stalled on the charts, only reaching number 122. Billy Joel’s next album would prove to be the make-or-break point for his career, and the resulting album, The Stranger, catapulted him into superstardom. The Stranger was released in the fall of 1977. By the end of the year, it peaked at number two and had gone platinum, and within the course of a year, it would spawn the Top 40 singles “Just the Way You Are” — which would win Record of the Year and Song of the Year at the 1979 Grammys — “Movin’ Out (Anthony’s Song),” “She’s Always a Woman,” and “Only the Good Die Young.” Over the next two decades, the album would sell over seven million copies. Billy Joel followed The Stranger with 52nd Street, which was released in the fall of 1978. 52nd Street spent eight weeks at number one in the U.S., selling over two millions copies within the first month of its release. The album spawned the hit singles “My Life,” “Big Shot,” and “Honesty,” and won the Grammy award for Album of the Year in 1980. Although he had become a genuine star, critics had not looked kindly to Billy Joel’s music, and the pianist became a vocal opponent of rock criticism in the late ’70s; he was known to have denounced Village Voice pundit Robert Christgau on-stage and then, as a form of protest, had torn up Christgau’s reviews.

In the spring of 1980, Billy Joel released Glass Houses, theoretically a harder-edged album that was a response to the punk and new wave movement. By the summer of 1980, Glass Houses had reached number one in America, where it stayed for six weeks; the album spawned the Top 40 singles “You May Be Right” (number seven), “It’s Still Rock’n’Roll to Me” (number 1), “Don’t Ask Me Why” (number 19), and “Sometimes a Fantasy” (number 36) and won the Grammy for Best Rock Vocal Performance, Male in 1981. In the fall of 1981, Billy Joel released Songs in the Attic, a live album that concentrated on material written and recorded before he became a star in 1977. The album’s “Say Goodbye to Hollywood” and “She’s Got a Way” became Top 40 hits.

Songs in the Attic bought Billy Joel some time as he was completing an album he had designed as his bid to be taken seriously as a composer. Before the album was finished, he suffered a serious motorcycle accident in the spring of 1982. He broke his wrist in the accident — it would take major surgery to repair the wound. In July of 1982, Billy Joel divorced his wife Elizabeth. His new album, The Nylon Curtain, was finally released in the fall. A concept album about baby boomers and their experiences, the album was a commercial disappointment, only selling a million copies, but it did earn him some of his better reviews, as well as spawning the Top 20 hits “Pressure” and “Allentown.” Joel quickly followed the album in 1983 with the oldies pastiche An Innocent Man.

An Innocent Man restored Billy Joel to his multi-platinum status, eventually selling over five million copies and spawning the hit singles “Uptown Girl” (number three), “Tell Her About It” (number 1), “An Innocent Man” (number 10), and “Keeping the Faith” (number 18). Several of the songs on the album were about model Christie Brinkley, who was engaged to Billy Joel by the time the album was released. During 1983 and 1984, Billy Joel became one of the first ’70s stars to embrace MTV and music videos, shooting a number of clips for the album which were aired frequently on the network. The videos usually starred Brinkley, as well as Billy Joel. Brinkley and Joel were married in the spring of 1985.

Part – 2

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